Thursday, October 11, 2012

American Idiot Review

American Idiot
Tour - The Mayflower Theatre, Southampton

2013 seems to be the year when several Broadway musicals will finally transfer to the West End. I for one have just received my ticket for The Book of Mormon and I am really looking forward to seeing this Tony Award winning musical. Although I am not familiar with Green Day, I went to see the premiere of the UK tour of American Idiot, in order to get a flavour of Broadway's latest offerings from the last few years. This musical was also directed by Michael Mayer, who also did Spring Awakening, a musical which I love.

The story follows three disaffected suburban youths, Johnny (Alex Nee), Tunny (Thomas Hettrick), and Will (Casey O'Farrell). They decide to find freedom in the city together but their paths get separated. Will is forced to stay at home with his pregnant girlfriend, Heather (Kennedy Caughell), Tunny decides to join the army, whilst Johnny lives an urban life. He has a relationship with a nameless girl, Whatsername (Alyssa Dipalma), takes drugs, and starts to imagine a rebellious version of himself, called St. Jimmy (Trent Saunders). Eventually the characters begin to encounter reality and long for the things they left behind.

I had heard that the musical's story was simple with only Green Day songs connecting it together. Indeed the story was nothing special, but I thought it was good. What helped was that the cast used the stage, objects, and body movement to convey the passing of time, a sense of location and a sense of the story. In particular, each of the three main characters were given different areas of stage to differentiate themselves, a metal frame was used to represent a couch, and later the ensemble members marched on in uniformed vests as the song Favorite Son turned into an Army advert. Sometimes the story became disconcerting but for the most part it was enjoyable.

Because the story line is simple, one can home in on the main characters from the beginning. The musical is based around Green Day's rock opera of the same title, which was a statement on post 9/11 issues, and some of this can be seen in this production. At the start, the curtain rose slowly  on a group of suburban youths watching dozens of screens on the back walls, which were showing news reports and mostly American orientated TV programmes. Suddenly they broke into the title song, American Idiot, as they jumped and stomped in their frustration against this saturation.

Yet, despite the occasional reference to American culture and society, such as the aforementioned Army advert, the focus of the musical was really on the main characters as they faced reality. At first it seemed tongue-in-cheek. Examples included a wounded Tunny in hospital, hallucinating that his nurse was an angel as they both perform an aerial dance during Extraordinary Girl. However by the second act the music became subdued and thoughtful, and when the main characters sang a touching Wake me up when September ends they seemed more rounded. By the end the musical had become heartwarming.

The company pulled all the stops when performing the songs. Strobe lights flashed every few seconds, dozens of provocative images flashed on the screens, whilst the orchestra, consisting of guitars, a drum kit, and the occasional instrument, played the music. Even as someone who is not familiar with Green Day it is easy to get sucked into the music (though thankfully whilst being seated a good distance away from the speakers). The lyrics were at times inaudible whilst the musicians hammered away, but the songs were on the whole energetic and thunderous. The company produced a variety of tricks and acrobatics, though most get a short moment on stage. Some I have mentioned, including the aerial dance, but it wouldn't be surprising if you miss some because a lot happens on the stage at times.

Although the story is not the best I have ever seen, it was conveyed well and by the end the characters' resolutions were gratifying. The cast pulled of some fantastic tricks and the songs were very engaging. Even if you are not familiar with Green Day, this musical is recommended at a low Top Price

Tuesday, October 9, 2012

42nd Street Review

42nd Street
Tour - The Mayflower Theatre, Southampton

So far this year, I have seen several musicals for the first time. I have realised how important the songs and dances are to capture your attention and draw you in to hopefully an engaging story. The latest musical is a touring production of 42nd Street. This was produced by UK Productions, which have created some impressive productions in the past, so I was expecting a good night out.

In 1930s New York, famed director Julian Marsh (Dave Willetts) holds auditions for his next production, Pretty Lady. Peggy Sawyer (Jessica Punch) arrives as the audition finishes and misses her opportunity to get into the musical, although her dancing talents gets noticed by leading man, Billy Lawlor (James O'Connell). Eventually she is given a part in the musical. Meanwhile, Julian has to put up with ageing Broadway star, Dorothy Brock (Marti Webb), who buys her way into the leading role, despite her lack of dancing skills.

It was enjoyable to watch the production process of the musical-within-a-musical, from the audition to the opening night on Broadway. The chorus girls for one were engaging to watch and performed some striking dance sequences. Do not expect a romance here. The musical does present a hopeful lover in the form of Billy Lawlor, yet the character was not given much stage presence. This was a shame for James O'Connell because he was quite the gallant young man in the lead role. Instead the musical seems to focus on the troubles faced by the director, and the rise of Peggy Sawyer to fame. On paper it is very interesting and the results in this production are generally very good.

Jessica Punch was lovely as Peggy, the naive newcomer to show-business. The choreography however did not seem to make her character's dancing abilities stand out over the other chorus girls. At times, Jessica seemed seem to overdo the amazement and disbelief at the turn of her fortunes. The conflict between Julian Marsh and Dorothy Brock was the most engaging. Dave Willetts stood out the most as the imperious, no-nonsense director, whilst singing with much gusto. Marti Webb was fine as Dorothy Brock and she sang her songs clearly. On the other hand  because her ageing character is limited to singing, she stands out less than the others during the musical numbers.

There were a number of striking musical numbers in this musical. At the start, the audience is introduced to a line of legs doing tap dancing before the curtain continues to rise. Other moments include an overhanging mirror to show the dancers from above during Dames, the chorus girls dancing on the coins in We're in the money, some interesting use of shadows during the Shadow Waltz, and the grand staircase scene in 42nd Street. The mirror did jiggle a bit and the stairs could be heard as it was rolled on to the stage, but this did not detract from the audience's enjoyment. Praise too for the sound system for producing the music and songs loud and clear. For someone who is not familiar with the musical, this achieved what I wanted a production like South Pacific to do, which was to enthrall me with the music.

This is a fantastic production of 42nd Street and should be seen. Although the story produced some underwritten characters, the dance sequences were engaging, the production process of Pretty Lady was interesting to follow, and the music was clear enough for newcomers to follow. See it at a low Top Price